Having the applied research concerning historical discography as an axis, through the repertoire, the style and the emerging techniques, structured material is produced for study: Applying modality to the piano; popular rhythms; popular improvisation/taksimi; transfer and appropriation of performance technique, style and aesthetic of other instruments on the piano; its participation in popular orchestras. Simultaneously, the historical trajectory of the piano is outlined, through the historical recordings, and the other primary sources of information procurement.